TAKE A MID-TONE WITH YOUPack a grey card in your camera bag – or buy a mid-toned camera bag which you can meter off.
LOOK AT THE HISTOGRAM
Don’t rely on a simple playback image to judge exposure – let the camera show you precisely…
WATCH THE BACKGROUND
Be aware of how the tone of a background can infl uence your camera’s meter.
BE AWARE OF HIGHLIGHTS
When exposing for dark subjects, look for any bright areas that might be blown out as a result.
SWITCH TO SPOT METERING
For tricky lighting and small areas, there’s no substitute for spot metering if you’re not in a rush.
RESTORE THE WHITENESS
If your subject’s large in the frame and bright white, spot meter off them and add 2 EV to 2.5 EV.
METER FOR HIGHLIGHTS
As a general rule, it’s best to meter for the highlights and let the shadows fall where they will.
CARRY A SET OF FILTERS
Always pack a graduated neutral density fi lter and polariser – they’re not just useful for ‘pure’ landscapes…
DIAL DOWN YOUR FILL FLASH
With digital cameras so good at picking up shadow detail, you’ll be surprised how little fill fl ash you need.
GET CREATIVE
Don’t always chase the ‘perfect’ exposure. Experiment with going to extremes.
Reference: Digital Camera Magazine
